Mulier Mulier Gallery
30 YEARS | SCULPTURES
23 December 2018 - 3 March 2019
Anish Kapoor, Untitled, 1985
IN THE LAST 30 YEARS, SALES BY MULIER MULIER GALLERY HAVE INCLUDED IMPORTANT WORKS BY THE FOLLOWING ARTISTS:
Art & Language, Panamarenko, Tadashi Kawamata, Christopher Wool, Jenny Holzer, Mike Kelley, Martin Kippenberger, Jean-Michel Basquiat, Keith Haring, Andy Warhol, Claes Oldenburg, Tom Wesselmann, Michel Majerus, Pruitt-Early, Joseph Kosuth, Robert Barry, Lawrence Weiner, Gilbert&George, Anish Kapoor, Bruce Nauman, Richard Pettibone, Richard Long, Carl Andre, Sol LeWitt, Ulrich Ruckriem, Thomas Schütte, Joan Muñoz, Robert Indiana, Sam Francis, Robert Rauchenberg, Günther Uecker, James Lee Byars, Gerhard Richter, E.L.T. Mesens, Man Ray, René Magritte, Paul Delvaux, Marcel Mariën, Pol Bury, Alexander Calder, Takis, Christo, Arman, César, Ben, Niki de Saint Phalle, Yayoi Kusama, Atsuko Tanaka, Kazuo Shiraga, Pierre Alechinsky, Soto, Vasarely, Karel Appel, Corneille, André Cadere, Wim Delvoye, Maurizio Cattelan, Jan Fabre, Robert Mapplethorpe, Bernd en Hilla Becher, Guy Van Bossche, Luc Tuymans, Jan Van Imschoot, Bert De Beul, Bram Bogart, Lucio Fontana, Enrico Castellani, Walter Leblanc, Jan Schoonhoven, Daniel Buren, Barbara Kruger, Gilberto Zorio, Mario Merz, Giovanni Anselmo, Giulio Paolini, Alighiero Boetti, Giuseppe Penone, Michelangelo Pistoletto, Dan Flavin, General Idea, Jean-Marc Bustamente, George Condo, Walter Dahn, Rainer Fetting, George Doukopil, Henry Moore, Lynn Chadwick, Gio Pomodoro, Mark Tobey, Henri Michaux, Roger Raveel, Hans Arp, Hans Hartung, George Mathieu, Tony Cragg, Tim Rollins and K.O.S., George Rickey, Jack Early, Nancy Spero, Saint Clair Cemin, Michel François, Ralf Penck, Baselitz, Agustin Cárdenas, Anselm Kiefer, Bernar Venet, Karen Kilimnik, Raymond Pettibon, Zoran Music, Bram van Velde, Léon Spilliaert, Fernand Khnopff, Jean Delville, Jacques Charlier, Miroslaw Balka, Nobuyoshi Araki, Franz West, Bradley Kronz, Maria Ikonomopoulou, Barry Flanagan, Daniel Spoerri, Fischli & Weiss
The gallery was founded in 1988 by Erik Mulier and Luc Mulier.
We established an international reputation for excellence, innovation and the quality of the exhibitions.
Panamarenko, Art & Language, Guy Van Bossche, Pol Bury, Tadashi Kawamata, James Lee Byars, Maria Ikonomopoulou, Lawrence Weiner,
Robert Mapplethorpe ... are just a few of the artists represented.
Maria Ikonomopoulou
National Museum of Contemporary Art in Athens
National Art Museum of China (NAMOC)
27 Nov 2018 – 17 Jan 2019
National Art Museum of China (NAMOC) — Beijing, CN
We are very pleased to announce that the piece ‘Close’ of Maria Ikonomopoulou that since oktober is included at the collection of EMST, the National Museum of Contemporary Art in Athens is now part of the show ‘At the Beginning Was the Word’ organized by National Art Museum of China (NAMOC) and EMST National Museum of Contemporary Art, Athens, curated by Katerina Koskina and Anna Mykoniati.
Close
Collection: At the Beginning Was the Word
National Art Museum of China (NAMOC)
Stage Wachten
2015 - 2018, 47,8 cm x 37 cm, Oil on Canvas
May 13 -June 10, 2018
Opening Reception: Sunday, May 13, 5-8 PM
Slag Gallery is pleased to present in the main gallery
Stage Wachten (Waiting Internship)
a solo exhibition of new works by Guy Van Bossche.
Guy Van Bossche’s art is to be situated within a select group of Belgian painters such as Luc Tuymans, Bert De Beul,
Marc Vanderleenen, locally known as ‘The Grey School’. During the early 90 ’s these painters returned to figurative painting and introduced a modest and sober art by using small size canvases and minimal colors, whereas the international art scene was dominated by large size, colorful abstract painting. Using photography as a point of departure for his compositions Van Bossche doesn’t focus on the reality of the photograph, but rather, his modus operandi is one that seeks "signals which in the act of painting he converts into images that vibrate with life." By doing so, a painting of Van Bossche will never be a mere copy of a photograph, but a fragmentary image created by implementing subtle changes, an image which translates his fascination with human fate, an image which captures moments of quietude at the intersection with uneasy oneiric elements. Working to meta-expressive ends - sociological, political and philosophical -, Van Bossche's work possesses the extraordinary ability to plunge the viewer into the undependable world of reflections.
The penetrating profundity of his work rewards deep viewing.